
The
images in On the Blue Shore
of Silence are glicée prints based on original
watercolors from the Isla Negra series by Mary Heebner. They were produced
on Somerset Velvet 300 at
Duganne
Atelier, Santa Monica, under the direction of the artist.
The text was printed letterpress from polymer plates on linen paper by John Balkwill at The Lumino Press, Santa Barbara, California on a Vandercook UN-1 proofing press. The poems were digitally typeset using Adobe Jenson for the English text and Arrighi for the Spanish. Trajan was used for titling.
The
text was printed on handmade linen paper produced by the artist with the
assistance of Pat Almonrode at the
Dieu
Donné Mill in New York City. The cockling on the edge of the linen
sheets was purposefully intended to allude to waves approaching a shore. The
linen wrappers were individually painted with indigo pigmented pulpby the
artist at Dieu Donné.
Images and poems were tipped onto larger sheets of Fabriano Tiepolo. Each copy of the book is placed in a handmade case constructed with imported Japanese bookcloth over boards and weed. The cases were produced at The Lumino Press.
On the Blue Shore of Silence was produced in a edition limited
to fifty copies; the first twenty-two are Special edition copies with
each including one of the signed, original watercolor paintings from the
Isla Negra series, mounted
in a self-standing mat. In addition ten hors commerce copies were also
produced.
Mary
Heebner
(bilingual edition by Simplemente Maria Press 2001)

